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For example, John Connor in the Terminator IS Neo from the Matrix and visa versa. When you read the Third Eye it brings the two film narratives together and makes more logical sense then when separated.

It is not un-common for writers submitting their material to major studios to have their screenplays appropriated and produced by entities who are bereft of original ideas. How do these frauds get away with it? They are people who are institutionally protected, are financially and politically assisted, and their lies and fabrications are promoted and supported by the media and enabled by many to continue to deny the truth and steal material from struggling yet profoundly talented writers.

I hope you enjoy these stories that I wrote long ago, about a world you can see with your Third Eye.

While attending the University, she studied under the guidance of many celebrated authors and writers such as; Max Segal a former journalist of the New York Times. Publisher, editor, essayist, and critic, Emile Capouya, and Paul Cherry, a playwright for Broadway.  She, also, served as an intern for television at the Public Broadcasting Station WNET Thirteen, where she worked with Oscar Award winning film documentary producer, Perry Miller Adato.  Her graduating class was honored with a special letter/citation from President Jimmy Carter. 

In 1979, her love and skills for writing motivated her to move from New York to Los Angeles where she studied cinema at the University of Southern California (USC). It was there she had the opportunity to study film under the auspices of producer Leon Roth; father of Eric Roth, screenwriter of the movie Forrest Gump. 

By the early 80’s she had started writing professionally. It was through her association with the Jacksons and entertainer Janet Jackson that she became involved in a special project that enabled her to write her first television scripts entitled “My Special Love” and “Blue Short”. During this period Ms. Stewart also had the opportunity to work at Columbia Pictures in the office of Vice President Dick Berres and Producer Brendan Cahill. It was at Columbia Pictures where Dick Berres supported her aspirations to write and gave Sophia five first draft scripts. One was called “From Here to Eternity”. 

She is an accomplished award-winning poet who has published over one hundred poems. Stewart, a gifted writer visionary has also worked for individual celebrities who includes former Knick player Dick Barnett, Louis Gossett Jr., and Shelly Winters. Her background is diverse and many of her writings reflect groundbreaking literature that is undeniable before it’s time.
 
She has received numerous awards for her achievements over the past few years.  After earning the Rosa Parks Award; from the NAACP in December 2005, she also got the honor award for empowering the people from the Las Vegas Music Awards in September 2006. On June 2, 2007 she was nominated for the international award called: “Lifting Up the World with a Oneness Heart.”; An award offered to people who have made exceptional contributions to the human family. Some of the receivers of this award include: Nelson Mandela, Mikhail Gorbachev, Mother Teresa, Pope John Paul, Jesse Jackson and many others.
 
Mother of the Matrix as she is affectionately known, wrote her epic The Third Eye while she was studying cinema at the University of Southern California. This ingenuous work, copyrighted since 1981, is the foundation, the framework and contains the core elements of the blockbuster films:  Terminator and The Matrix.
 
Stewart’s exceptional talent lies in her ability to create characters, stories and cinematic magic. In The Third Eye, she has transformed comprehensive metaphysical and spiritual concepts into the most revered science fiction films of the 20th century. The Terminator and the Matrix films are among the most artistically phenomenal and financially profitable film franchises in Hollywood’s history.  These works have currently grossed over $25 billion dollars, won 4 Oscars, and continue to generate revenue internationally.
 
She is currently continuing her epic work with the Matrix 4, which is destined to supersede the extraordinary success of The Matrix and Terminator and establish her as one of the most profound master writers of the 21st century.

In 2014, the Utah Federal Court awarded judgement to Sophia Stewart, the plaintiff, who sued Gale Anne Hurd, The Wackowski’s, James Cameron, Warner Bros et al… for the theft and appropriation of her screenplay The Third Eye that was split into two narratives to produce the MATRIX and Terminator movie franchises.

This Federal court ruling established the true ownership of the copyrights to the intellectual property, The Matrix & The Terminator.

The United States Government settled the matter – The Enter The Matrix copyright proves that the trademark with same name is owned by Sophia Stewart.

This document proves that the Matrix and Terminator trademarks are NOT owned by Warner Brothers.

Order by Judge Dee Benson Doc- 287 – Download PDF

Doc 283 – Download PDF

Doc – 282 – Download PDF

Sophia Stewart Finally Gets her day in court June 25,2014 – Download Part 1 PDF

Document 277:

ORDER granting[276] Motion to Continue.

The evidentiary hearing regarding default judgment

in this matter is hereby scheduled for Wednesday,June25,2014, at

10:00a.m. in Room 7.400. Signed by Magistrate Judge Evelyn J. Furse on 5/16/14.

(jlw) Notices to Continue and motion on Notices to Continue

Sophia Stewart Finally Gets her day in court June 25,2014 – Download Part 2 PDF

Document 273 5-5-2014 – Download PDF

Document 274 5-7-2014 – Download PDF

Trademark Motion Response – Download PDF

Affidavit – Download PDF

Protected Literary Work Sophia Stewart – “The Third Eye”

The Infringing Work – The Matrix Trilogy including Terminator series.

1 Minute & 45 Seconds – Hidden in Plain Sight

Director Eye Witness

ABOUT the documentary

One of the rights accorded to the owner of copyright is the right to reproduce or to authorize others to reproduce the work in copies or phono-records. This right is subject to certain limitations found in sections 107 through 118 of the copyright law (title 17, U. S. Code). One of the more important limitations is the doctrine of fair use. The doctrine of fair use has developed through a substantial number of court decisions over the years and has been codified in section 107 of the copyright law. Section 107 contains a list of the various purposes for which the reproduction of a particular work may be considered fair, such as criticism, comment, news reporting, teaching, scholarship, and research. Section 107 also sets out four factors to be considered in determining whether or not a particular use is fair:

The purpose and character of the use, including whether such use is of commercial nature or is for nonprofit educational purposes The nature of the copyrighted work The amount and substantiality of the portion used in relation to the copyrighted work as a whole The effect of the use upon the potential market for, or value of, the copyrighted work The distinction between fair use and infringement may be unclear and not easily defined. There is no specific number of words, lines, or notes that may safely be taken without permission. Acknowledging the source of the copyrighted material does not substitute for obtaining permission.

The 1961 Report of the Register of Copyrights on the General Revision of the U.S. Copyright Law cites examples of activities that courts have regarded as fair use: quotation of excerpts in a review or criticism for purposes of illustration or comment; quotation of short passages in a scholarly or technical work, for illustration or clarification of the authors observations; use in a parody of some of the content of the work parodied; summary of an address or article, with brief quotations, in a news report; reproduction by a library of a portion of a work to replace part of a damaged copy; reproduction by a teacher or student of a small part of a work to illustrate a lesson; reproduction of a work in legislative or judicial proceedings or reports; incidental and fortuitous reproduction, in a newsreel or broadcast, of a work located in the scene of an event being reported. Copyright protects the particular way an author has expressed himself. It does not extend to any ideas, systems, or factual information conveyed in the work. The safest course is always to get permission from the copyright owner before using copyrighted material. The Copyright Office cannot give this permission.

When it is impracticable to obtain permission, use of copyrighted material should be avoided unless the doctrine of fair use would clearly apply to the situation. The Copyright Office can neither determine if a certain use may be considered fair nor advise on possible copyright violations. If there is any doubt, it is advisable to consult an attorney. FL-102, Revised May 2009

Act I

Act II

A Conversation with Sophia Stewart the Mother of The Matrix in 2009.

by Eye Witness TV

Segment 1 features:

• an in-depth look into the Third Eye
• Sophia’s inspiration to create the Third Eye
• The Second Coming of Christ.
• The Third Eye: Past, Present and Future
• “I’ll be back” – The Terminator/Matrix Connection
• Black Science Fiction
• The Matrix Reloaded and Revolutions: Complications Not Duplications
• No High School to Pros
• A different Perspective: The Bible in 3D
• What was stolen?
• The One Ripped backwards
• I’m not here to turn atheists into believers
• Choice: The Red and Blue Pill
• God as Physical law
• Explanation of The One The Underlying Message to The Third Eye
• Sophia’s suggestion to solve the problem
• Where any part of the Third Eye left out the Matrix?
• People’s reaction to learning of The Sophia Stewart Case
• Is there a lack of creativity in Holly Wood?

Segment 2 features:

• A candid, forthright discussion about The Sophia Stewart Legal Case
  May 1981 –
• The Beginning of the deception
• F.B.I. – The Justice Department Gathers Evidence
• Settlement Negotiations Aborted Warner Brothers Whistle blowers
• Did others have knowledge of The Third Eye being used?

Part I

Part II

Part III

Part IV

Part V

Part VI

Part VII

Part VIII

Part IX

Meeting Morpheus

The Matrix Construct

Explanation of the Matrix

Neo vs Smith in the Subway

Neo vs Morpheus

The Real World

The Matrix Ending Explained – A guide to freeing your mind.

KIA commercial – Adaptive front lighting system – Morpheus

Kia Superbowl commercial 2 – Morpheus

Kia commercial 3 – Morpheus

Kia Commerical 4 – Morpheus

All Eyes On Me, INC.
4030 South Jones Blvd. # 31725
Las Vegas, NV 89103
Phone: 310.987.7862

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